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And if things weren’t done or were looked down on… like the way I do certain bends on the acoustic, that’s not done, supposedly. I was just doing what sounded good to me.
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When asked by Music Radar in 2012 if he considered himself a pioneer for using nylon-string on pop songs, Feliciano said, “No, not at all. 3 on the Billboard 200, but also songs by the Beatles and Gerry and the Pacemakers. It was an album of vocals and classical guitar and included covers of some of the most well-known pop and rock songs of the times, namely the Mamas and the Papas’ “California Dreamin’” and the Doors’ “Light My Fire,” which reached No.
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To be sure, Feliciano! sounded like nothing else that came out in 1968. Puerto Rican guitarist Jose Feliciano’s massive mainstream breakthrough is generally considered to be the first album of pop music played entirely on a nylon-string guitar. On these ten essential non-classical albums, the nylon-string guitar is at the center of each artist’s vision. And the great American guitarist Chet Atkins often played fingerstyle on nylon-string guitars-he was a huge influence on many guitarists, who would take his ideas into multiple genres. The Brazilian bossa nova sound is based on a rhythmic and percussive nylon-string sound pioneered by the guitarist João Gilberto. The nylon-string acoustic guitar is known mainly as a classical or flamenco instrument, but its rich tonal qualities lend themselves to particular roles in country, folk, jazz, rock, pop, and even hip-hop. So we're asking you to give just $1 (or whatever you can afford) right now. In that moment, the young saxophonist knew he wanted to have a life in music.Hey, fellow guitarist! Did you know 99.9% of visitors to this site will scroll past this message without making a contribution? Many plan to pledge later, but then forget. When Jerry was fourteen, his jazz fan father took him to see Stan Getz at The Village Vanguard. Jerry’s latest recording, On the Move, spent two months on the Jazz Week charts and he at work on a new CD This mastery of the message, and the medium, has kept Weldon working steady for nearly four decades. He becomes the music and brings the audience with him on a communal tuneful journey. Depending on the tune, Weldon’s warm fat tenor sound can roll and roar like a thunderstorm or gentle you like a warm summer breeze…and it always, always resonates far beyond the listener’s ear, Whether he’s walkin’ the crowded bar at Showmans in Harlem or wending his way through packed candlelit tables at Birdland in Midtown, Jerry Weldon is a tenor force that cannot be contained. Jerry, a “musician’s musician,” who is also a first class showman in the truest sense of the word, blows his horn with his entire body and delights audiences with his all-in, soulful playing. The program airs in the coveted 4PM time slot in most markets. HARRY is produced and distributed by NBC Universal and has been sold to 99% of the U.S., including Fox, Sinclair, Hearst, NBC Owned Stations, CBS, Scripps, Tribune and other station groups. Now, thanks to his talent, and long association with Connick, Jerry can be seen daily as part of the “house band” on HARRY, Connick’s new daytime television variety show. Since then Jerry has toured the U.S., Europe, Asia and Australia with Harry and was also part of Connick's Broadway musical production, Thou Shalt Not and appeared on stage as well as in the orchestra. In 1990, Jerry became a charter member and featured soloist with Harry Connick Jr.'s newly formed big band. Lonnie Smith, and Mel Rhyne, trombone great Al Grey, piano giants George Cables and Cedar Walton, drum legends Roy Haynes and Jimmy Cobb as well as guitarist/singer George Benson, guitarist Earl Klugh, bassist Keter Betts, singer Mel Tormé and a host of other legendary musicians. Next came a long, rewarding stint with master organist Jack McDuff & his Heatin' System. Additionally Jerry has worked with organists Jimmy McGriff, Joey DeFrancesco, Bobby Forrester, Dr. With eight CD’s as a leader and more sideman sides than even he can count…or remember, this native New Yorker’s performance/recording résumé reflects his venerable tenor tenure and reads like a virtual Who's Who of Jazz.Īfter graduating from Rutgers University Jazz Studies Program in 1981, Jerry joined the legendary Lionel Hampton Orchestra and continued his association with Hamp into the new millennium. Internationally renowned veteran sax man Jerry Weldon, has been a player on the jazz scene for more than 35 years.